435 Archives - Contested Histories https://contestedhistories.org/tag/435/ Practical remedies to disputes over historical markers in public spaces Wed, 17 Dec 2025 11:35:29 +0000 en-GB hourly 1 https://wordpress.org/?v=7.0.2 https://contestedhistories.org/wp-content/uploads/cropped-CH_Symbol_Light_Bkg@10x-32x32.png 435 Archives - Contested Histories https://contestedhistories.org/tag/435/ 32 32 Puente Aranda Murals in Bogotá https://contestedhistories.org/resources/case-studies/puente-aranda-murals-in-bogota?utm_source=rss&utm_medium=rss&utm_campaign=puente-aranda-murals-in-bogota Mon, 20 Apr 2026 10:00:00 +0000 https://contestedhistories.org/resources// The project ‘Open Museum of Bogotá: painting in the public space’ was organised by the District Institute of Arts (IDARTES) and Urban Development Institute (IDU), with the support of the Mayor of Bogotá, Claudia López. Part of the initiative aimed to decorate eleven bridges across Bogotá, using local artists selected by a public call. One […]

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]]> The project ‘Open Museum of Bogotá: painting in the public space’ was organised by the District Institute of Arts (IDARTES) and Urban Development Institute (IDU), with the support of the Mayor of Bogotá, Claudia López. Part of the initiative aimed to decorate eleven bridges across Bogotá, using local artists selected by a public call. One of these murals, painted by Saint Cat Crew on a supporting column of the Aranda bridge at the crossroad of Avenue of Americas with Street 50 near the Military Club, provoked diverse reactions and criticism. Representing the cycle of violence on the streets, the mural depicted a policeman being awarded a medal over human skulls. Shortly after it was finished, Luis Mauricio Mayorga painted over the mural, which sparked debate regarding freedom of expression, censorship and misuse of public funds. This case examines the controversies surrounding artistic intervention in legacies of violence.

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